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Daniel Deronda

George Eliot's Zionist Novel - 1876

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Daniel Deronda - George Eliot's Zionist Novel - 1876

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Life is a various mother: now she dons Her plumes and brilliants, climbs the marble stairs With head aloft, nor ever turns her eyes On lackeys who attend her; now she dwells Grim-clad, up darksome allyes, breathes hot gin, And screams in pauper riot.

But to these She came a frugal matron, neat and deft, With cheerful morning thoughts and quick device To find the much in little.

Mrs. Meyrick's house was not noisy: the front parlor looked on the river, and the back on gardens, so that though she was reading aloud to her daughters, the window could be left open to freshen the air of the small double room where a lamp and two candles were burning. The candles were on a table apart for Kate, who was drawing illustrations for a publisher; the lamp was not only for the reader but for Amy and Mab, who were embroidering satin cushions for "the great world."

Outside, the house looked very narrow and shabby, the bright light through the holland blind showing the heavy old-fashioned window-frame; but it is pleasant to know that many such grim-walled slices of space in our foggy London have been and still are the homes of a culture the more spotlessly free from vulgarity, because poverty has rendered everything like display an impersonal question, and all the grand shows of the world simply a spectacle which rouses petty rivalry or vain effort after possession.

The Meyricks' was a home of that kind: and they all clung to this particular house in a row because its interior was filled with objects always in the same places, which, for the mother held memories of her marriage time, and for the young ones seemed as necessary and uncriticised a part of their world as the stars of the Great Bear seen from the back windows. Mrs. Meyrick had borne much stint of other matters that she might be able to keep some engravings specially cherished by her husband; and the narrow spaces of wall held a world history in scenes and heads which the children had early learned by heart. The chairs and tables were also old friends preferred to new. But in these two little parlors with no furniture that a broker would have cared to cheapen except the prints and piano, there was space and apparatus for a wide-glancing, nicely-select life, opened to the highest things in music, painting and poetry. I am not sure that in the times of greatest scarcity, before Kate could get paid- work, these ladies had always had a servant to light their fires and sweep their rooms; yet they were fastidious in some points, and could not believe that the manners of ladies in the fashionable world were so full of coarse selfishness, petty quarreling, and slang as they are represented to be in what are called literary photographs. The Meyricks had their little oddities, streaks of eccentricity from the mother's blood as well as the father's, their minds being like mediaeval houses with unexpected recesses and openings from this into that, flights of steps and sudden outlooks.

But mother and daughters were all united by a triple bond--family love; admiration for the finest work, the best action; and habitual industry. Hans' desire to spend some of his money in making their lives more luxurious had been resisted by all of them, and both they and he had been thus saved from regrets at the threatened triumphs of his yearning for art over the attractions of secured income--a triumph that would by-and-by oblige him to give up his fellowship. They could all afford to laugh at his Gavarni-caricatures and to hold him blameless in following a natural bent which their unselfishness and independence had left without obstacle. It was enough for them to go on in their old way, only having a grand treat of opera-going (to the gallery) when Hans came home on a visit.

Seeing the group they made this evening, one could hardly wish them to change their way of life. They were all alike small, and so in due proportion to their miniature rooms. Mrs. Meyrick was reading aloud from a French book; she was a lively little woman, half French, half Scotch, with a pretty articulateness of speech that seemed to make daylight in her hearer's understanding. Though she was not yet fifty, her rippling hair, covered by a quakerish net cap, was chiefly gray, but her eyebrows were brown as the bright eyes below them; her black dress, almost like a priest's cassock with its rows of buttons, suited a neat figure hardly five feet high. The daughters were to match the mother, except that Mab had Hans' light hair and complexion, with a bossy, irregular brow, and other quaintnesses that reminded one of him. Everything about them was compact, from the firm coils of their hair, fastened back a la Chinoise, to their gray skirts in Puritan nonconformity with the fashion, which at that time would have demanded that four feminine circumferences should fill all the free space in the front parlor. All four, if they had been wax-work, might have been packed easily in a fashionable lady's traveling trunk. Their faces seemed full of speech, as if their minds had been shelled, after the manner of horse-chestnuts, and become brightly visible. The only large thing of its kind in the room was Hafiz, the Persian cat, comfortably poised on the brown leather back of a chair, and opening his large eyes now and then to see that the lower animals were not in any mischief.

The book Mrs. Meyrick had before her was Erckmann-Chatrian's Historie d'un Conscrit. She had just finished reading it aloud, and Mab, who had let her work fall on the ground while she stretched her head forward and fixed her eyes on the reader, exclaimed--

"I think that is the finest story in the world."

"Of course, Mab!" said Amy, "it is the last you have heard. Everything that pleases you is the best in its turn."

"It is hardly to be called a story," said Kate. "It is a bit of history brought near us with a strong telescope. We can see the soldiers' faces: no, it is more than that--we can hear everything--we can almost hear their hearts beat."

"I don't care what you call it," said Mab, flirting away her thimble. "Call it a chapter in Revelations. It makes me want to do something good, something grand. It makes me so sorry for everybody. It makes me like Schiller--I want to take the world in my arms and kiss it. I must kiss you instead, little mother?" She threw her arms round her mother's neck.

"Whenever you are in that mood, Mab, down goes your work," said Amy. "It would be doing something good to finish your cushion without soiling it."

"Oh--oh--oh!" groaned Mab, as she stooped to pick up her work and thimble. "I wish I had three wounded conscripts to take care of."

"You would spill their beef-tea while you were talking," said Amy.

"Poor Mab! don't be hard on her," said the mother. "Give me the embroidery now, child. You go on with your enthusiasm, and I will go on with the pink and white poppy."

"Well, ma, I think you are more caustic than Amy," said Kate, while she drew her head back to look at her drawing.

"Oh--oh--oh!" cried Mab again, rising and stretching her arms. "I wish something wonderful would happen. I feel like the deluge. The waters of the great deep are broken up, and the windows of heaven are opened. I must sit down and play the scales."

Mab was opening the piano while the others were laughing at this climax, when a cab stopped before the house, and there forthwith came a quick rap of the knocker.

"Dear me!" said Mrs. Meyrick, starting up, "it is after ten, and Phoebe is gone to bed." She hastened out, leaving the parlor door open.

"Mr. Deronda!" The girls could hear this exclamation from their mamma. Mab clasped her hands, saying in a loud whisper, "There now! something is going to happen." Kate and Amy gave up their work in amazement. But Deronda's tone in reply was so low that they could not hear his words, and Mrs. Meyrick immediately closed the parlor door.

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